Bacon Agonistes

  1. To celebrate Francis Bacon’s centenary in 2009, Tate Britain mounted a retrospective exhibition that was subsequently shown at the Prado in Madrid and the Metropolitan Museum in New York. Bacon’s theater of cruelty was an enormous popular success at all of its venues, but especially in New York, where he was hailed by fans as the greatest painter of the twentieth century. However, such clouds of hyperbole were already a touch toxic following the sale in 2008 of a flashy triptych for $86 million, and serious reviews of the Met show were anything but favorable. Also, those of us who care about the integrity of an artist’s work were worried by the appearance on the market of paintings that, if indeed they are entirely by him, Bacon would never have allowed out of the studio.

    As a longtime fan of Bacon, I have strong feelings about these matters. My admiration dates back to World War II, when, like many another art student, I was captivated by an illustration of a 1933 painting entitled...

The complete text of “Bacon Agonistes” is not in the Byliner library, but we love it so much we included an excerpt and a link to the full story on www.nybooks.com.

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